Cannabis Serge Gainsbourg Rar File admin 5/23/2019 23/05/19 Issued as part of Universal France's Essentials of Cinema series, Serge.

Issued as part of Universal France's Essentials of Cinema series, Serge Gainsbourg's soundtracks to Michel Colombier's 1968 Ce Sacre Grand-Pere, and Pierre Koralnik's scandalous Cannabis, are among the most startling pieces of music in his oeuvre. Cannabis was based around a tawdry thriller and was set by Pierre Koralnik in the free, lone-generation of the late '60s, and starred none other than Gainsbourg and wife Jane Birkin. The film, a kind of revenge tale, featured lots of gratuitous (real) sex and was a commercial flop. But its score is one of the most sophisticated pieces of music Gainsbourg ever conceived. It's a wondrously baroque and anthemic rock score with elements of Middle Eastern folk songs, and a pop cabaret joviality (courtesy of Jean-Claude Vannier's loopy song 'I Want to Feel Crazy,' sung by Birkin with a drugged-out string section). It was orchestrated for a complete army of electric guitars, harpsichord, strings, and the loudest bassline ever threaded through a French movie -- truly amazing. The score to the Colombier film is tacked on as bonus material, and is far more traditional, but has enough pop/rock charm and nutty electric guitar and Hammond B3 play to make it a worthy add-on to Cannabis. This is essential listening for any Gainsbourg or '60s soundtrack fan. In addition to the music are killer stills from Cannabis, and a brutally honest translated interview with Koralnik.

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Cannabis is a film score by French singer-songwriter Serge Gainsbourg, released in May 1970 through Philips Records, accompanying the 1970 film of the same name, directed by Pierre Koralnik and starring Gainsbourg, Jane Birkin, and Curd Jürgens.

• 1Conception

Conception[edit]

Background[edit]

After collaborating on Anna, a 1967 television movie starring Anna Karina, Gainsbourg and French director Pierre Koralnik decided to work on another movie which would eventually become Cannabis, when three producers (Roger Duchet, Andrée Debar, and Nat Wachsberger) commissioned one, based on seeing Gainsbourg and his then-lover Jane Birkin starring together in the 1969 film, Slogan, directed by Pierre Grimblat.^[2] All of the music for Cannabis was composed and written by Gainsbourg after the film had been shot, with help from arranger Jean-Claude Vannier, with whom Gainsbourg would again collaborate the following year on Histoire de Melody Nelson.^[2]

Recording[edit]

Cannabis was recorded at Studio Davout, a recording studio in Paris, France, with producers Roger Duchet and Nat Wachselberger.^[3]

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Reception[edit]

Upon its release, Cannabis was received positively. Thom Jurek of Allmusic wrote that it was 'among the most startling [..] in [Gainsbourg's] oeuvre', and also noted that the score was 'one of the most sophisticated [..] Gainsbourg ever conceived'.^[4]

Track listing[edit]

All music composed by Serge Gainsbourg and arranged by Jean-Claude Vannier.

Release history[edit]

References[edit]

1. ^Tangari, Joe (4 August 2010). 'Serge Gainsbourg / Jane Birkin - Jane Birkin et Serge Gainsbourg review'. Pitchfork. Retrieved 18 March 2015.
2. ^ ^abLerouge, Stéphane (2003). 'Pierre Koralnik interview'. Cannabis (booklet, CD). Serge Gainsbourg. EmArcy. pp. 10–13.
3. ^'Serge Gainsbourg - Bande Originale Du Film 'Cannabis' at Discogs'. Retrieved 2 November 2010.
4. ^ ^abJurek, Thom. 'Serge Gainsbourg: Cannabis > Review'. Allmusic. Retrieved 2 November 2010.

Serge Gainsbourg Albums

External links[edit]

• Cannabis at Discogs

All the freaky, funky Serge Gainsbourg you could ever want - served up in a single set! The package pulls together some of the grooviest tracks by Serge from a host of late 60s and early 70s albums - including some of his super-rare French soundtrack work - from movies that include Le Pacha, Anna, Ce Sacre Grand-Pere, Cannabis, and Manon 70! The double-length set is overflowing with great grooves - tracks done with that subtly funky style that Serge cooked up with arrangers Michel Colombier and Jean-Claude Vannier, all topped with that breathy, nearly-spoken style that made Gainsbourg so great back in the day.

A few of the most break-heavy cuts are even presented with special bonus beats - and titles include 'Requiem Pour Un Con', 'Je N'Avais Qu'Un Seul Mot A Lui Dire', 'New Delire', 'Pas Mal Pal Mal Du Tout', 'Chanson Du Forcat', 'Danger', 'Premiere Blessure', 'L'Alouette', 'No No Yes Yes', 'Breakdown Suite', 'Psychastenie', 'Boomerang', 'Photographes Et Religieuses', 'Generique Pop 2', and 'En Melody'. Requiem Pour Un Con2.

Requiem Pour Un Con Bonus Beats3. Je Navais Qu Un Seul Mot a Lui Dire4. Sous Le Soleil Exactement5.

Chanson Du Forcat6. Pas Mal Pas Mal Du Tout7.

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