Chemins IVfor oboe and eleven strings, can be listened to as a commentary to my Sequenza VII for oboea hcemins that amplifies and develops certain harmonic aspects of the original Sequenza. This website uses cookies to ensure you get the best experience on our website.

In an effort to minimize our community’s exposure during the ongoing 'coronavirus' situation, Curtis have made the difficult decision to cancel or alter the remaining departmental auditions in 2020. Voice/opera auditions scheduled for March 12–15 have been canceled as have those in violin (March 20–21) and cello (March 25–26). Composition interviews will be conducted by Skype. Should updated information on COVID-19 permit a discussion of rescheduling any of these auditions, affected applicants will be contacted.

While this is no doubt extremely disappointing, Curtis will be in contact with the applicants about options to audition next year.Applicants to the Curtis Institute of Music must audition in person. Video and/or audio recordings are not considered in place of a live audition at Curtis, except as noted for screened departments.

Applicants to the composition department have original compositions examined by that department; finalists interview in Philadelphia. Applicants who wish to be double majors must audition separately for each major department and must be admitted by each faculty.Auditions are scheduled at the Curtis Institute of Music, 1726 Locust Street, Philadelphia on specific dates for each department at the convenience of the faculty. (The schedule is below.) Curtis is unable to honor requests for changes in the scheduled audition dates.The filing of an application does not oblige the Curtis Institute of Music to grant an audition.Applicants should add to their approved senders’ list to ensure receipt of Curtis admissions e-mails. In early January applicants are notified by e-mail that their applications have been received. By late January those who are granted an audition receive an e-mail announcing their audition date. The audition calendar is posted on the Curtis website in January.Applicants should be aware that auditions may be videotaped and recorded (for panel review only).2020 Audition CalendarAuditions for admission beginning with the 2020–21 school year will take place in February and March 2020. Audition dates for various disciplines will be added as they are scheduled, with all dates confirmed by January 2020.

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There will be no auditions in 2020 for harp, tenor trombone, bass trombone, and tuba. Conducting applications are accepted for the post-baccalaureate diploma program only. Applicants must submit a screening video with the application to be considered for the live auditions. Applicants will be notified in January of their live audition status.Screening RecordingApplicants must submit a high-quality audio-visual recording by December 16, 2019 as follows:. Include three to four excerpts showing various musical styles from standard orchestral, operatic, and contemporary works. PianoApplicants will play from memory:. A complete work of J.

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Bach. One of the sonatas listed below (complete and by memory):.

Any Mozart sonata (except K. 545).

Any Beethoven sonata (except Op. 49). Any of these five Haydn sonatas:. A-flat major, Hob. 31. C minor, Hob. 33.

E-flat major, Hob. 59. C-major, Hob. 60. E-flat major, Hob. 62.

One slow and one fast selection from the works of Chopin for solo piano (no works of Chopin for piano and orchestra will be acceptable). A complete major work (minimum 10-12 minutes in length) of the applicant's choiceNo substitutions for the above repertoire will be allowed.OrganApplicants will play from memory:. A prelude and fugue by J.

Bach. An allegro movement from a Bach trio sonata or comparable chorale-prelude.

Two movements from the romantic or contemporary literature, one of which should be a slow movementOrgan applicants will also be asked to sight-read. A modern composition will be sent to each auditionee one month prior to auditions and will be performed (optional: from memory) at the audition.The organ in Field Concert Hall is an Aeolian-Skinner, 5 manuals, 116 ranks.

See detailed specification. Applicants should demonstrate a knowledge of the fundamental techniques of percussion and timpani.

They will be examined on timpani pitch recognition and technical skills such as rolls. They should be prepared to perform:. One study on timpani.

One two-mallet work on marimba or xylophone. One four-mallet work on marimba. Two studies on snare drum—classical and rudimentalApplicants will also be expected to demonstrate their ability to sight-read. Applicants must possess a good ear and be able to sing and recognize all intervals. Voice (Bachelor of Music and Diploma Programs)Voice applicants must be at least 18 years old as of September 1 of the year of acceptance. All applicants in Voice are required to submit a screening recording with application materials by Monday, December 16, 2019.The following format types are accepted:. Video (.asf,.avi,.flv,.mov,.m4v,.mp4,.mpg,.mvb,.swf,.wmv).

Images (.bmp,.gif,.jpg,.jpeg,.png,.tiff). Documents (.doc,.pdf,.xls)Total portfolio size needs to be under 900MB, with a maximum file size of 500 MB.

Please upload each piece as its own file.Screening RepertoireThe three repertoire selections for the screening should include accompaniment and should show contrast in musical styles and tempos. Please make certain the recording is of good quality, as the granting of a live audition will depend upon this. Applicants will be notified of decisions regarding live auditions by mid-January.Live Audition RepertoireSingers who audition live will be asked to perform up to four selections from memory, showing the character and quality of voice and musicianship:. One selection in English (not a translation). Three selections from the standard oratorio repertoire, German lieder, classic Italian songs, or French and English songs of any period.

An aria from an opera or oratorio is welcome but not requiredThough an accompanist is provided, voice applicants may supply their own accompanist if they prefer. A short test of musical theory and sight-singing may be asked of the applicants in the final round of auditions.Opera (Master of Music and Professional Studies Certificate Programs)All applicants in Opera are required to submit a screening recording with application material by Monday, December 16, 2019.The following format types are accepted:. Video (.asf,.avi,.flv,.mov,.m4v,.mp4,.mpg,.mvb,.swf,.wmv). Images (.bmp,.gif,.jpg,.jpeg,.png,.tiff).

Documents (.doc,.pdf,.xls)Total portfolio size needs to be under 900MB, with a maximum file size of 500 MB. Please upload each piece as its own file.Screening RepertoireThe three repertoire selections for screening should include accompaniment and should show contrast in musical styles and tempos. Please make certain the recording is of good quality, as the granting of a live audition will depend upon this.Applicants will be notified of decisions regarding live auditions by mid-January.Live Audition RepertoireVocalists who audition live will be asked to perform from memory:. Up to five contrasting arias from the standard operatic repertoireThough an accompanist is provided, opera applicants may supply their own accompanist if they prefer. A short test of musical theory and sight singing may be asked of the applicants in the final round of auditions.No substitutions or exceptions to the stated audition requirements will be permitted.

In addition to the stated requirements, applicants may be asked to show their sight-reading ability. A knowledge of piano and music theory is desirable.While the choice of composition is important, audition performance carries the greater weight. The final admission decision rests upon the evidence of talent shown rather than upon the degree of proficiency already attained. Admission is limited to those whose inherent musical gift shows promise of development to a point of exceptional professional quality.In major departments with more than one instructor, student placement is determined by the consensus of the faculty of that department.AccommodationsStudents auditioning for the Curtis Institute of Music are not permitted to stay overnight as a guest of a Lenfest Hall resident. Curtis encourages auditionees to find local accommodations.

Some hotels in the vicinity of Curtis provide special discount rates should you need accommodations during your visit to Philadelphia. Please mention the Curtis Institute of Music when making your reservations. If you mention “college campus visit rate” when making your reservation, you may receive a discounted rate., 1628 Chestnut Street, (215) 282-5100., 1701 Locust Street, (800) 333-3333 (toll-free)AccompanistsCurtis will provide an accompanist for auditions in cello, guitar, flute, opera, viola, violin, and voice. All other auditions are played without piano.The applicant must supply Curtis’s accompanist with the appropriate piano scores at the time of audition. If no music is provided, it is up to the discretion of the audition committee whether the audition will be heard.

Photocopied music is not acceptable in place of a score.No pre-audition rehearsal with Curtis’s accompanist is permitted. ProceduresApplicants may warm up for 30 minutes in an assigned practice room before their auditions.

If an applicant is late for the scheduled audition, the audition committee will decide whether or not to hear the audition. The committee is not obliged to hear all the music that an applicant may have prepared, nor to give an audition evaluation. FeeAudition fee: $150 ($50 for screened departments), payable once the applicant is notified of the audition dateThis fee must be paid before the applicant is permitted to audition.For non-screened departments, the $150 audition fee is in addition to the $150 application fee. For screened departments, the $50 audition fee is in addition to the $250 application/screening fee.Audition FAQ.

Auditions are organized in groups. You will be given a time to meet along with other applicants, and will draw a number to make the audition order as fair as possible. Once the order is determined, you will be told a time when you should be back to wait for your warmup room.

You’ll be given around 30 minutes of warmup time in a designated room. Curtis student proctors will be running most of the logistics, under the supervision of Chris Hodges, director of admissions. These students are happy to answer any questions you may have about Curtis while you wait.