The Hi-Res Solution for Personal Music ProductionRubix44 delivers the perfect balance of high-fidelity audio, rugged build quality, and essential features for today's musicians and producers. It serves up warm and clear high-resolution audio up to 24-bit/192 kHz, and features four top-quality mic preamps carefully designed for pristine sound and low-noise performance.

And with four discrete outputs, analog dynamics processing, and an integrated MIDI interface, you have the power and flexibility to support your growing musical ambitions. Rubix44 works seamlessly with Mac and Windows computers, and even supports the Apple iPad for the ultimate portable music production experience.

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Perfectly Suited for Singer/Songwriters and Instrumentalists, Access Online Content, and Learn FasterWith four simultaneous inputs and support for mics, electric guitar/bass, and line-level devices like keyboards and drum machines, Rubix44 allows music creators to capture mix-ready performances in a single pass. Singer/songwriters can record vocals and stereo instruments at the same time, and acoustic instrumentalists can connect up to four different microphones to capture every nuance of their sound. Top-Quality I/O to Support Your Creative Flow with a Compact, Space-Saving FootprintRubix44’s stellar mic preamps are low noise and high definition, with plenty of headroom for capturing all the impact and detail of whatever you’re recording. The flexible combo jacks and Hi-Z inputs let you connect a variety of sources including mics and guitars, with no need for adapters or special cables.

Four individual outputs enable sophisticated routing and monitoring possibilities, like sending a click to a performer, setting up a stage monitor, or routing audio to external gear. Control and Enhance Your Sound with Analog Compression and LimitingHighly dynamic sources like percussion instruments often need level taming with dynamics processing. Service manual for 2017 electra glide. It’s also common to apply compression on vocals and bass while tracking to even out levels and make these sources easier to mix.

Rubix44 is equipped with panel-accessible compressor/limiters on inputs 1/2 and 3/4, ensuring good, hot signals without clipping and unwanted distortion. The dynamics processing is completely analog, providing smooth and transparent control with zero added latency. Monitor Signal Status at a Glance, Even While PerformingWhen recording, achieving proper signal levels is critical. But studios and stages can be dark places, and you don’t need to deal with clip and level indicators that are small and hard to see. Designed with recording performers in mind, Rubix44 features bright indicators that clearly show if a channel has incoming signal or is going to overload.

Better still, they can be seen from both the front and top of the unit, allowing you to easily monitor signal status from nearly anywhere you’re located. Dedicated Monitor Controls and Seamless Integration with Mac, Windows, and iPadOn its front panel, Rubix44 features quick-access knobs for adjusting the overall volume and headphones level, plus dedicated Direct Monitor controls for latency-free monitoring without having to fuss with a computer-based mixer. Mac and Windows drivers deliver smooth, reliable performance, and the included Ableton Live Lite software provides a complete creative platform that works right out of the box. Rubix44 even supports iPad, giving you a powerful, compact system for on-location recording, mobile production, and gigging. Video Library.Rubix Series Quick Start Step-By-Step InstructionsThese Quick Start Videos contain step-by-step instructions that will quickly introduce you to the Rubix series’ top features.Downloads.Updates & Drivers.Support.If you have questions about operating your Roland product, please check our for answers to the most common questions.You can also contact our department by phone or email.In addition, we have a library of and that you can download and reference. Owner’s Manuals.Support Documents.

IntroductionWhat do you get when the love child of a dusty old Nintendo and an unused and unloved Atari decides it wants to get involved with music production on a budget? You get the Ebox44.

One of the most common questions I have seen going through digital DJ forums is good gear for the new DJ on a budget. The $100 audio interface market is extremely limited, and the options of those interfaces are, well, lacking. Enter this retro looking box. It’s built like a tank and actually offers more than the bare minimum of features.

Out of the BoxAfter opening up the box you are greeted with the standard fare: the interface, a CD for drivers, a USB cable and 2 RCA cables. The Ebox44 is a 4 in/4 out interface with a headphone out and a ¼” mic in. There are small knobs for the headphone volume and mic gain.The interface itself is not for everyone.

I think of it as a lovechild of a bygone era of technology, but I’m sure there are many that do not share my nostalgia. It is a sturdy box, however. The outside feels like brushed metal, the plugs have no give whatsoever.

There’s just enough weight to give it stability, but it isn’t overwhelming.The activity LEDs are large and super bright, and everything is pretty well labeled. I wish the Mic Gain knob and the Headphone Volume knob were a little chunkier, but for the price point I can’t really complain. Installation and setupI ran into some issues installing the drivers, Windows kicking out that they were not digitally signed. Those issues were pretty serious, and I was getting some very strange errors. But I changed some security settings and we were off to the races.The volume control panel is made up of 6 faders (one for each Stereo In/Out), each with a “gang” button. While the gang button is selected moving one fader in the group will move the other. So, if I want the input level for ins 1/2 and 3/4 to be the same level I just need to move one fader.

Moving the fader does not give you a real time volume change, but after you release it in the new position the volume will gradually increase/decrease to the new position. This was a little annoying, but for the frequency I use these it wasn’t a make or break function.The headphone volume control also has a selection for 1/2 and 3/4.

Any signal coming out of or into channel 1/2 will come out of the headphones. This can be both a bane and a curse. I find myself having the 1/2 signal at 0 and the 3/4 at full volume, mainly because I’m using this to cue in DJ software and I don’t want to hear anything coming out of 1/2, well, ever. But, if I want to have a good cue of a song I’m recording from a turntable or CD deck, I don’t need to route anything in the recording software and control it all directly from the drivers.I would prefer, though, for an independent headphone channel that I can control the routing for from within an DAW or DJ application.

This is far from an end of the world decision, but it is my personal preference.Now, the really nice thing about having ins and outs is this soundcard could be used for open source timecode. It won’t work on Traktor or Serato, but it could with Mixxx, with both turntables and CD decks.And that brings me to my one gripe with this unit. You can switch the RCA ins from line and phono. This only works, however, as a global change.

It’s a small gripe, I know, but it would be nice to be able to choose on a per-channel basis, as opposed to all or nothing. How Does it Sound?This is what matters, right? Well, it’s just fine.

It’s nothing revolutionary, but it can pump out audio loud and clean, giving me no muddling through my Rokit 8’s at high volume, and has no shown no latency issues at the standard settings. The headphone port, however, does not get loud enough for my tastes. Granted, I’m spoiled with the Audio 8, being able to make my Sennheiser 25-II’s into little monitor speakers, but it works just fine for what it is.The microphone port should never be used for serious recording, but for DJ drops or scratching out ideas when the inspiration hits it is a perfect solution.

The Bottom LineIt’s a $100 interface that offers a unique look, actual ins and multiple outs and a routed headphone out. There is an option for time code control, the ability to record vinyl and a mic in. At this price point there are very few options for the budding DJ or producer that can compete with this item. THE COMMENTS SECTION Commenting Etiquette Welcome to DJWORX.

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